I have a bad habit of dismissing musical suggestions from friends and family. While I was a musically ignorant kid, due partially to lack of direction and my parents' vigilance against that damn "explicit lyrics" sticker, once released into college I was free to explore music on my own and found my way from ska-punk to punk to second-wave emo to melodic hardcore to hardcore punk to metal to everything aggressive, angry, and loduer than everything else. As a result of my long descent into more and more obscure musical sub-genres, I have significant overlap in taste with Frank Chow, my brother Tom in Colombian Necktie, and my brothers-in-law. Hell, my wife (a massive golden age of Hollywood and Brat Pack fan) and I can even agree on a playlist from time to time.
The point is that I am a fan of a lot of different types of music and I constantly have a "to listen" list on my iPod or my iTunes. With so much to get through I can be unnecessarily dismissive of suggestions from friends and family. Case in point: Arcade Fire. They're probably my favorite indie-type rock band and I love all three of their albums, but when when my brothers-in-law were raving about them the only thing I knew about them was the performance of Neighborhood #2 (Laika) on Letterman. This is still probably my least favorite track of theirs, but it turned me off at the time and no amount of pleading from my wife or the outlaws could make me give them a second try.... until I just decided to have a listen one day to something else on Funeral and ended up loving it.
Another more recent example of my musical close-mindedness is Bon Iver. Now, to be fair, all I had was a name and "have you heard of this guy?" from my brother-in-law (again), but I ignored it for months until Pitchfork was lavishing praise and Justin Vernon was appearing on late night talk shows to perform Flume or something. All the sudden For Emma, Forever Ago was everywhere and it was my new favorite album. I still think it's a near-perfect album.
Fast forward to 2009. Actually, rewind to 1998. In high school, the metalheads were jerks. So were the punk types. I had a hard time looking past the cover of the book and actually giving stuff a try (plus I was in the midst of discovering Led Zeppelin courtesy of my friend John and trying to learn every lyric of every Beatles song ever recorded). Long story short: I didn't have a great impression of heavy metal. This changed in college when my friend Greg started detailing all the overlap between hardcore and metal and the infinite cross-pollination that was going on in the metalcore sub-genre. Then, in 2001, heartbroken over a failed relationship and horribly angry about the September 11th terrorist attacks, I found Converge's Jane Doe and fell in love with music all over again. Refused's Shape of Punk to Come and American Nightmare's (or Give Up the Ghost's) Background Music were also hugely influential on my tastes at the time. Over the past decade I've been trying more and more metal, checking out artist recommendations and seeing where all the influences fit.
Despite my attempts to broaden my horizons into heavy metal, I still make mistakes.
Flash forward to 2009 (for real this time). I'm at the With Full Force festival near Leipzig in the former east Germany. Having woken up at 4am for a 6am flight to Berlin, rented a car, stocked up on beer, and driven to the festival, I was wrecked. On the bill for that evening, just after sunset, were Mastodon. These guys had already racked up some serious buzz in the US from Blood Mountain and had just released Crack The Skye. I'd been passed a burned copy of Blood Mountain and wasn't captivated instantly by it, but I wanted to give them a try live so my buddy Ross and I wandered into the main festival area, grabbed some food, and sauntered over to a good spot on the field where we could see the stage, the big screens, and could easily make runs to the bar for cheap and delicious beer. Mastodon were already on and after wolfing down my food, I sat down in a spot that I could still see.
I fell asleep. There really is no excuse other than sleep deprivation combined with a couple pints of beer consumed in central European summer heat, but -- damn -- it as a hardcore and metal festival! Seriously lame. After waking up from my nap I made some half-assed comment to Ross about how I didn't see what the big deal with Mastodon was and he agreed. He'd fallen asleep too. Seriously lame.
Flash forward again, this time to 2011. I was surfing Metal Sucks and Metal Injection and noticed a story about the new Mastodon album. I don't know what was different on that day, but I decided that I would download all four of their albums and give it a shot. Impulse buy. After reading up on them on Wikipedia, checking out some reviews, and watching the video below -- Letterman's not joking, they have been nominated for a Grammy -- I decided I'd been way too hasty in writing them off.
They're excellent. This is complex, interesting, harsh, and yet melodic metal from a bunch of guys who have managed to change their sound while maintaining their core identity as an aggressive heavy metal band. They experiment without being self-indulgent. They incorporate melody but not the throwaway "we should do some clean vocals here" melody insertion that is standard in -- and has ruined -- other bands. They're also progressive without descending into jam band bouts of musical masturbation. They're also quite intelligent. I mean, Leviathan is a concept about Herman Melville's Moby Dick! Blood Mountain is about the various dangers encountered while ascended aforementioned mountain.
Crack the Skye's concept is... well, it's this:
"There is a paraplegic and the only way that he can go anywhere is if he astral travels. He goes out of his body, into outer space and a bit like Icarus, he goes too close to the sun, burning off the golden umbilical cord that is attached to his solar plexus. So he is in outer space and he is lost, he gets sucked into a wormhole, he ends up in the spirit realm and he talks to spirits telling them that he is not really dead. So they send him to the Russian cult, they use him in a divination and they find out his problem. They decide they are going to help him. They put his soul inside Rasputin's body. Rasputin goes to usurp the czar and he is murdered. The two souls fly out of Rasputin's body through the crack in the sky(e) and Rasputin is the wise man that is trying to lead the child home to his body because his parents have discovered him by now and think that he is dead. Rasputin needs to get him back into his body before it's too late. But they end up running into the Devil along the way and the Devil tries to steal their souls and bring them down…there are some obstacles along the way." -- Brann Dailor, drummerOh and the title track is also about his sister's suicide at the age of 14. Yes, really. Whether you dig this kind of concept album stuff or not, these guys are putting tons of thought into these albums. You have the music, the lyrics, the artwork is phenomenal... now I see why these guys are one of the most important metal bands around today.
In short, there are only two explanations. My tastes have changed massively or I didn't give them a proper try when I first heard of them. While I'd like to take the easy way out and say I just "wasn't ready for them at the time" or something else while I gaze at my navel, given my track record I was probably just being a massive douche, tired, and slightly drunk in a field in Germany.
Mastodon, I apologize. You rule.
PS Their new album The Hunter comes out on September 26th.
Their first album was Remission (2002):
Next was Leviathan (2004):
Then came Blood Mountain (2006) and Crack the Skye (2009).






